WALC LISTEN CAFÉS

The recent protests in Serbia and Greece in part started as the expression of collected grief over railway disasters. The resulting marches not only represented deep discontent with the actions of the respective governments, they were also expressions of solidarity and resistance.

For many, walking is not only as an artistic practice, but also a deeply political act. We are truly living in interesting times, and in the light of the many powerful protests unfolding around the world, we are inspired by the collective energy of people gathering in the public space, expressing solidarity, resistance, and, dare way say, hope.

Join us for a powerful evening, part walk, part reflection, part testimony, as we explore how walking becomes a tool for communal grief, solidarity and resistance in response to human tragedy.

This online café will explore the intersection of walking arts and political marches, a collective listening and conversation featuring influential walking artists whose work delves into social justice, environmental grief, and embodied storytelling.

Nohad ElHajj is an independent researcher whose work bridges art, politics, and social change. With a background spanning Lebanon, South Africa, Scotland, and Kuwait, she harnesses walking and participatory processes as platforms for dialogue, human rights narratives, and community partnership building.

Marta Moreno Muñoz, fresh from returning from the Global March to Gaza, and creator of the trans-European performance-walk 2020: The Walk, brings her practice of walking as climate activism, having led long-distance mobile testimonies for Extinction Rebellion. Marta channels collective responsibility through embodied route-making and accountability in public space.

Robert Yerachmiel Sniderman is a multidisciplinary artist‑walker whose projects mobilize urban geographies to hold memories of violence, displacement, and social rupture. His walking interventions act as living archives, mapping intergenerational grief across architecture and history.

Tom Jeffreys is a writer and editor predominantly covering contemporary art and culture, with a particular interest in work that engages with ecological concerns. His books include Signal Failure and Walking, and he recently co-organised The Edinburgh Walk for Gaza.

Our moderators are Babak Fakhamzadeh and Mary Marinopoulou, who will guide our speakers and audience through reflections on how walking amplifies mourning, fosters solidarity, and stages creative resistance.

Walking is often perceived as a simple, everyday act. Yet in moments of crisis, grief, and injustice, it can become something far more profound; a means of reclaiming presence, of honoring loss, and of reaching across divides to form bonds of solidarity. In the face of environmental degradation, political violence, and historical erasure, walking can become an act of resistance: quiet, deliberate, and deeply embodied.

We will discuss practices that stretch the boundaries of art and activism. How solidarity can be enacted not just in words but through shared motion, and how resistance need not be loud to be powerful.

This café will be held in a horizontal format, an open conversation where speakers and participants will exchange stories, inspire each other, and reflect together.

Let’s walk, listen, and learn, across geographies and struggles.

Women walking, The city, At night, is a performance series in the form of collective walks between women. It was began by Eléonore Ozanne in Seville, Spain in September 2022 on the night of the ‘Harvest Moon’ and is growing to a global action. This year the Harvest Moon falls on 6 and 7 October. Eleonore returns to a Walking Arts and Local Communities café to invite you to walk with her by the light of the moon.

They aim to investigate and think from the lived experience about the presence of our body, at night, in public spaces. With the idea of creating an aesthetic and relational experience of walking, the walks are guided by chance, following the path marked by the full moon.

“What if we get together to go for a walk at night?” asks Eléonore, “a collective walk, at night, between women in several cities at the same time.”

Guided only by the light along the path of the trajectory of the full moon, women walk together, creating both a poetic and vindictive experience to explore what their bodies mean, at night, in the city.

This event is hosted by Eleanor Rycroft, producer of Night Walk: Walking Clifton Downs and Ladies Mile at midnight.

Eleonore will host a Harvest Moon Reflections café after the action on 14 October.

Hosted by Clara Gari of Nau Côclea.

Join us for the online presentation of the upcoming Grand Tour 2025!
This year’s route will take us from the Maresme to the Pyrenees, through the Montseny, Les Guilleries, and Osona, weaving a collective journey of artistic creation and shared walking, with more artists than ever. As always, the Grand Tour is not just a walk, but a laboratory of slowness, encounter, and transformation.

We are delighted to announce the participation of Christina Schultz, our guest artist in charge of the Library on the Move, and Carla Farreny, poet, writer and vertical choreographer, who will introduce her Suspended Conversation on the second day of the walk.

Come discover what lies ahead, step by step.
And you can also study the journey plan in our website.

Women Walking, the City, at Night is an international performance in the form of collective night walks, initiated and curated by artist  Eléonore Ozanne. The project began in Seville, Spain, in September 2021 during the night of the Harvest Moon. Since then, it has grown into a global action, with women walking together in different cities and countries on the same full moon night.

Each walk begins by gathering at a specific point in the city, and, to allow for a true drift, we follow the path of the full moon — challenging urban logics and reimagining how we inhabit the night.

This year marks the second international edition of the project, taking place on the night of 6 to 7 October 2025.

To share our experiences, feelings and perspectives across time and geographies, we invite you to this online gathering on 14 October.

The event is open to all — whether you joined a walk this years or are simply curious to know more.

It will be a space to reflect together on what happened that night and to explore what it means to walk, as women, under a shared moonlight.

Eleonore returns to a Walking Arts and Local Communities café to reflect on this year’s action. The event will NOT be recorded.

Do you want to know how our 2025 adventure went? How we set off from Badalona and crossed beaches, mountains, and rivers on our way to the Pyrenees — and climbed the Taga with a cello?

Do you want to hear about our shared library, lovingly cared for by an artist?

Would you like to see our collection of handmade maps and cartographies, our treasures kept in little boxes, our travel journals, our stones our feathers and the testimony of hundreds of kilometres walked together?

Join us for this talk and we’ll share with you everything we know how to tell.

Introduced by Clara Gari who conceived El Grand Tour, an annual nomadic residency in the foothills of the Pyrenees. She will be joined by poet and travel narrative writer Marc Caellas, who devised special technique for each of the Grand Tour participants to record a journal of their travels, and brought a collective narrative in a workshop on the journey. You can read a copy of an article (only available in Spanish) he has since written of his reflections of his first Grant Tour experience.

Within the hour long event, there will be a report on progress in the WALC project, given by either Geert Vermeire and /or Yannis Ziogas.

When booking your ticket, take a moment to bring your walk · listen · create profile is up to date, or add a bio to create one if you haven’t already. To keep up to date with the Walking Arts and Local Communities over its four year duration, make sure you are subscribing to the weekly walk · listen · create newsletter.

The co-funded EU Walking Arts and Local Communities (WALC) project offers an opportunity for public scrutiny of the project, by running bi-monthly free “Confluence events”, in which project partners come together to present how the aspect of the project for which they are responsible is progressing.

Through our new WALCAfé series, WALC invites you to explore how Walking Arts plays a vital role in well-being, both individually and collectively, physically and mentally. 

Our first conversation will focus on Walking Arts and Mental Health. We are delighted to have with us four speakers who bring diverse insights from research, therapeutic practice, community engagement, and public health perspective: Leon Clowes (UK), Tricia Enns (Canada), Alexandra Rodriguez (USA), and Alba Sauleda (Spain). 

Alex Rodriguez is a Public Health PhD candidate at the University of Florida, and through the UF Center for Arts in Medicine, she has contributed to national and international research, including centring arts engagement as a health behaviour, defining arts participation for public health, and co-authoring a WHO report on arts and health in the US. In addition to her research, Alex is a Think Tank Board Member for the American Journal of Public Health and developed UF’s Honors course, Leveraging the Arts to Promote Public Health. Learn more here

Leon Clowes is an artist and researcher. Via practice research at London College of Music, University of West London, his PhD examined the use of autoethnography to self compassionately draw from difficult lived experience. In this talk, Leon will refer to reflect on the making of Empirical Evidence of the Existence of Angels and how this might be opened out to co-create work with other people in addiction recovery. The piece is built from 11 days and 11 hours of walks around central London while only two months into his addiction recovery journey.

https://www.instagram.com/leonclowes

Alba Sauleda is an artist-researcher, PhD candidate at the University of Barcelona, whose work investigates artistic methodologies through the lens of mad studies. Aiming to propose new imaginaries of madness, she connects the aesthetics of walking arts with the history of psychiatric practice. Through assemblage poetics and spatial displacement, her research seeks to generate reflections that challenge institutional reliance on forced hospitalization and uninformed treatments.

https://www.instagram.com/sauledaalba/

Tricia Enns (she/they) is a designer, educator and artist currently calling Tiohtià:ke/Montreal (Quebec, Canada) home, although they tend to be a little bit nomadic (when life allows). As a cis-fem-person with a queer body (and heart) and living with chronic pain Tricia has, more recently, been exploring questions of connection, care, and (be)longing. Her practice often uses creative cartography, debris, video, deep listening, electronics, sound art, handmade paper, other textiles, walking, scores, and zines. Their practice draws on participatory approaches to complexify what and how we know. Learn more at triciaenns.com. 

This collective dialogue will explore:

• How does personal experience become a driver for community engagement?
• Questions of access: Whose bodies are recognized in public space, and how can Walking Arts open new possibilities for those living with mental health challenges?
• How can Walking Arts be integrated into therapeutic and health systems?
• What kinds of creative outcomes can emerge from walking practices?

This is not another conversation on walking’s positive impact on health. This is an open dialogue that asks: Who has access to Walking Arts, and how can these practices be made available to those who need them most?

This free online event marks the beginning of the WALCAfé series. The second episode, in January, will explore Walking Arts and Physical Health, while the third will be shaped by dialogue and feedback from participants in the first two conversations.

We warmly invite you to join us in this exchange and discuss together the future of Walking Arts & Health.

Παρακάτω ακολουθεί το κείμενο στα Ελληνικά.

In the Café, architect Stavros Sofianopoulos will present “Building the Chiapas Teachers Center” an initiative by the Greek Solidarity Team of support for the Zapatistas’ campaign “A School for Chiapas” [Centro de Capacitación  de Promotores Culturales Compañero Manuel (Chiapas, Mexico)]. The initiative will be presented in the context of Community based-art.

Schools for Chiapas was created in 1996 and this year has begun to work with other indigenous communities that are facing similar government-inflicted pressures, seeking to support their own processes of building autonomy in education and preventive health. Informed and moved by the models demonstrated over years in Zapatista territory, these efforts are shared by the community to benefit everyone.

In community-based education, adults chosen by the community learn skills in popular education so that they can share responsibility of teaching the children. For communities whose schools have been closed or are not accessible (due to violence), this model allows for education to carry on despite often precarious external conditions.

The event will be hosted by Yannis Ziogas, WALC Project director and Artistic co-coordinator. The presentation will be made in Greek, with an English translation made available. At the event a pdf in English and Greek will be available from here. Although technology, and AI specifically, is making great strides in benefitting cross-cultural interchange, Zoom has not yet conquered the Greek language, so we are unable to offer real-time interpretation from Greek to English or closed captions in Greek.

Στο Café, ο αρχιτέκτονας Σταύρος Σοφιανόπουλος θα παρουσιάσει το «Building the Chiapas Teachers Center» μια πρωτοβουλία της Ελληνικής Ομάδας Αλληλεγγύης για την υποστήριξη της εκστρατείας των Ζαπατίστας «A School for Chiapas» [Centro de Capacitación  de Promotores Culturales Compañero Manuel (Chiapas, Mexico) ]. Η πρωτοβουλία θα παρουσιαστεί στο πλαίσιο της κοινοτικής τέχνης.

Το Schools for Chiapas δημιουργήθηκε το 1996 και από τότε άρχισε να συνεργάζεται με άλλες αυτόχθονες κοινότητες που αντιμετωπίζουν παρόμοιες πιέσεις από την κυβέρνηση. Η βασική επιδίωξη ήταν να υποστηρίξουν τις δικές τους διαδικασίες για την καλλιέργεια αυτονομίας στην εκπαίδευση και προληπτική ιατρική. Εμπνευσμένες και επηρεασμένες από τα πρότυπα που αναπτύσσονται επί χρόνια στην επικράτεια των Ζαπατίστας, αυτές οι προσπάθειες μοιράζονται από την κοινότητα προς όφελος όλων.

Στην κοινοτική εκπαίδευση οι ενήλικες που επιλέγονται από την κοινότητα μαθαίνουν δεξιότητες στη λαϊκή επιμόρφωση ώστε να μπορούν να μοιραστούν την ευθύνη της διδασκαλίας των παιδιών. Για κοινότητες των οποίων τα σχολεία έχουν κλείσει ή δεν είναι προσβάσιμα (λόγω βίας), αυτό το μοντέλο επιτρέπει στη συνέχιση της εκπαίδευσης παρά τις συχνά επισφαλείς εξωτερικές συνθήκες. 

Την παρουσίαση θα συντονίσει ο Yannis Ziogas, Διευθυντής και Καλλιτεχνικός Συντονιστής του WALC Project. Η παρουσίαση θα γίνει στα ελληνικά, με διαθέσιμη αγγλική μετάφραση. Στην εκδήλωση θα διατίθεται pdf στα αγγλικά και στα ελληνικά από εδώ. Αν και η τεχνολογία, και συγκεκριμένα η τεχνητή νοημοσύνη, κάνει μεγάλα βήματα προς όφελος των διαπολιτισμικών ανταλλαγών, το Zoom δεν έχει κατακτήσει ακόμη την ελληνική γλώσσα, επομένως δεν μπορούμε να προσφέρουμε διερμηνεία σε πραγματικό χρόνο από τα ελληνικά στα αγγλικά ή υπότιτλους στα ελληνικά.

Walking Home / Walking in Transition sets the theme for the next International Walking Arts Encounters in Prespa (WAC 25). 

This WALC Café offers a closer look at what you can expect in July 2025 and zooms in on its themes, context, place, the call criteria and what is offered to interested participants.

The Prespa International Walking Arts Encounters brings together artists who walk in response to a world marked by profound pain, loss, displacement, and environmental crises. In a time of overwhelming uncertainties, walking art may seem futile, yet it offers a vital escape from habitual ways of thinking and acting—creating space for new possibilities.  

The encounters are deeply rooted in the local —hosted in Prespes, by a community at the edge of Europe— and rely on listening, sharing, and giving to and receiving from a remote place of overwhelming natural beauty. Yet, the Encounters are equally trans-local, shaped by contributions from people across the globe. The Walking Arts Encounters emerges as much from their questions, themes, and explorations as from local experiments, gifts, and acts of sensuous solidarity.

Through acts of hosting, gathering, and interweaving in everyday life and local community, they nurture new ethical and aesthetic pathways, not attracting attention, seeking power, or aligning with solution-driven agendas, but embracing failure, experimentation, and care. 

The International Walking Arts Encounters is more than the sum of this all, an evolving ecology of practices, fluid subversions, quiet rebellions, and sensory provocations, made by people walking together. 

And this leads to the invitation, stories and testimonies, shared in this Café. By organizers, artists and local residents, filling out the framework for a new International Walking Arts Encounters in Prespa this Summer.

Geert Vermeire and Yannis Ziogas, artistic coordinators,  will talk about the artistic context and concepts behind the International Walking Arts Encounters in Prespa, and elaborate on what you can expect as a participant during the week-long event this summer. 

Aspasia Voudouri, general coordinator of the organizing committee, will present Prespa a place and the organisational aspects of the event. 

Anastasia Polychronidou (Greece) and Molly Wagner (Australia), who were at the previous encounters and will return in 2025, will share their experiences as participating artists. 

Local residents Nikos Yannakis, biologist and former president of the Prespa National Park Management Organisation, and Thomas Manouris will talk about living in Prespa.

Join us for an engaging question-based collective discussion hosted by Action Synergy, where we bring together artists from Europe and the United States at different stages in their careers, each with a unique relationship to walking arts. While coming from diverse backgrounds and starting points, they have all embraced walking as a means of connecting with their communities—however they define them.

In this casual roundtable conversation, we will explore key questions:

🌿How can communities extend beyond the human?
🌿What elements do we wish to see more of in walking arts?
🌿How can walking arts be a form of care?

🎤 Our guests bring diverse perspectives: Robert Coleman explores ecological soundwalks and sound art, while Jo Scott uses sonic experiences to navigate changing landscapes. Rafael De Balanzo focuses on resilience and ecological transformation through walkshops, and Azucena Momo blends dance, sound, and participatory walking performances. Charlie MacRae-Tod engages in creative pilgrimage, connecting storytelling with long-distance walking, while Noam Assayag explores urban narratives through text, graffiti, and walking as a form of collecting and exchanging ideas.

Featured Artists Bios

🚶‍♀️Noam Assayag
I am a writer and a translator, born in Paris and based in Athens. Inspired by friends and strangers, my walking practice is curious about what’s on the walls and ground, collecting words and textures for future thoughts and collages. This street hermeneutics will use graffiti as samples and keywords. This scavenging will foster gifts and counter-gifts: activating cities together. @norkhat

🚶‍♂️Rafael De Balanzo
I am a transdisciplinary artist and scientist-scholar whose practice explores the complexity of our planet and theories of change through the lens of a resilience-thinking approach. Through workshops and walkshops, I engage participants in immersive learning experiences that foster deeper understanding and creative responses to ecological and social transformations.

🚶Robert Coleman
Composer and sound artist Robert Coleman’s work draws from numerous fields such as soundscape studies, site-specific art, field recording, and community and participatory arts. He is currently a PhD student at the Sonic Arts Research Centre, Queen’s University Belfast, where he is supervised by an interdisciplinary team from Sonic Arts and Biological Sciences. Throughout this time, he has been developing his practice of Ecological Soundwalks, and in 2023, he founded The School of Wild Listening, a platform for the discussion and dissemination of ecological sound art.

🚶‍♀️Charlie MacRae-Tod
Charlie is a performer, filmmaker, and walking artist interested in exploring the relationship between performance, classical storytelling, animate imagination, and long-distance walking. His practice of creative pilgrimage seeks to explore various aspects of spiritual and mythological approaches to walking artistically—through, with, and into an environment.

🚶‍♂️Azucena Momo
Azucena is a multidisciplinary artist interested in body practices (dance, walking, among others), relational geographies, ecology, poetry, and participatory actions. In 2019, she founded her company Irregulars, with which she has created contemporary dance proposals in public spaces and performances about walking. Her love for orality and the blending of disciplines also leads her to work on sound, podcast, and documentary forms.

🚶Jo Scott
Jo Scott is an artist-researcher based in central Portugal, using creative digital practices to explore our relationship with the other-than-human world. Jo’s latest project is using creative walking practices to explore precarious and changing landscapes in an era of climate crisis, habitat, and biodiversity loss, with a focus on the forest plantations of central Portugal. www.joanneemmascott.com

We look forward to walking through these ideas together—see you at the Café!

Following the announcement of “WALC – a new future of walking arts – the largest cultural investment putting walking arts on the map” we are delighted to have as Café guests representatives from each of the consortium partners who put together the successful EU funding application for the Walking Arts and Local Communities project.

With seven partners from five countries, WALC establishes an International Center for Artistic Research and Practice of Walking Arts, in Prespa, Greece, at the border with Albania and North Macedonia, and sets a new model for artists and organisations in community-based practices benefitting the rural and natural areas of all partners. WALC builds on the previous work of hundreds of artists and researchers in a shared network practicing Walking Arts as a collaborative medium, involving local inhabitants, engaging with local activists and nature workers, young artists, and curators, open for an international public.

WALC is setting an innovative model of trans-European cooperation, for community-based practices, based on walking arts. and the emergence of new art venues, beyond the established art market, through experimentation and new artistic networks, and as a fertile ground for contemporary and emerging disciplines. It fulfils the need for community-based art practices that strengthen one of the main purposes of art; renewing its relation to society, more needed than ever in our world of today.

Names and faces familiar to many walking artists, we hope to introduce them to people who have not yet considered walking art, they include Yannis Ziogas, Geert Vermeire, Clara Gari, Anna Luyten, Sylvie Marchand, Miguel Bandeira Duarte and Kostas Diamantis Balaskas.

We look forward to hearing their hopes and aspirations of how the WALC project may evolve. Come along and find out how you can benefit through involvement in the project.

The Walking Arts and Local Communities consortium partners are: Visual March to Prespes, University of Western Macedonia (Leader, Πανεπιστήμιο Δυτικής Μακεδονίας, UOWM, Greece),  walk · listen · create (WLC, Belgium), WalkLab2.PT at the University of Minho (UMINHO, Universitade do Minho, Portugal), Cultural Association Cochlea (Asociación Cultural Cochlea, CACN, Spain), Association Temps Reel (Gigacircus, France), Action Synergy SA (AS, Greece), School of Gaasbeek (De School van Gaasbeek, SvG, Belgium).

Thanks to the EU Creative Europe Cooperation grant this Café is a free event – when booking your ticket, take a moment to bring your walk · listen · create profile is up to date, or add a bio to create one if you haven’t already. To keep up to date with the Walking Arts and Local Communities over its four year duration, make sure you are subscribing to the weekly walk · listen · create newsletter.

A video recording of the event will be made available in due course.